Gold-gilded jade with design of Buddha
Hotan
jade is situated the first place of Chinese jade. The precious jade was from area
around
Hotan
jade possessed mild and moist luster with glorified translucency, so held high
value on the market. The tenacity bolstered meticulous carving fluently and
distinctly. Owing to different mineral components, there were different color
and grade of Hotan jade, comprising color in white, bluish white, blue, yellow,
and ink.
Gilding applied material like gold foil or
gold mud that was mixture of gold and mercury. After applying gilding to
embellish the ware surface, agate or jadeite were repeatedly pressed on the
surface for smoothing and glazing the ware.
It was scare to have gold-gilded jade with
design of Tibetan Buddha in late Ming and early Qing dynasty. It not only
applied Hotan jade but also techniques of relief, open work, and round carving.
Well-executed skill and multiple skills on same ware fitted in with craftsmanship
in mid-late period of Ming dynasty. Besides, the magnification displayed jade
surface in exquisite quality and invisible polishing. The meticulous craft
tallied with craft in Qing dynasty. It also demonstrated carving skill of Ming
dynasty which had tailored and sturdy mark like intaglio lines in V shape.
After all, this Buddha contained craftsmanship of Ming and Qing dynasties.
dcl-CARD
(dcl-Chinese Antique Research Department) held 21 gold-gilded jades of Buddha.
Six of them were introduced as below.
1. ST-06034 Gold-gilded jade
with design of Buddha No. 8, Between late Ming dynasty (1368-1644) and early
Qing dynasty (1644-1911), Lanolin white nephrite from Hotan. Length: (Enclosed certificate of FTIR
scanning) |
Lanolin white jade was called due to
its milky white color as lanolin and presented exquisite texture in
sleekness. Lanolin white jade is the most precious breed among Hotan jades
and is called king of all nephrite. It is scare and only from Hotan area in
Xinjiang province. Lanolin white jade was main material of this Buddha and fully
gilded with gold. The Buddha displayed crystalline mildness, gentle
exquisiteness, milky shade, and snowy whiteness. It performed imposing
holiness. This unique treasure had been identified and scanned by FTIR. The Buddha featured by slender shape, bared feet on lotus
base, noble crown, and orderly hair in tower-shaped bun. Demure light shined
tenderly from the dainty face and downcast eyes. A white mole denominated “Baihao” placed in the middle of forehead. Delicate carving depicted
facial features, such nose, lips, and ears. The perfectly chubby face
softened with a light smile. The ears bore round floral earrings. Three rings
were carved around the neck. Low relief shaped brief necklace of precious
stones on the chest. The long silk ribbon hung around the shoulder and was warped
at the end. Each hand carried one “Chuan” (bracelet). Right hand cast down
and left hand placed in front of chest uprightly. Both hands posed mudra, the
symbolic gesture in Buddhist art. A skirt covered lower part of the body and
tied a knot in front of the waist. The gather of cloth placed easily and
smoothly as fishtail over lotus base. In the early Qing dynasty, the court enacted mining ordinance
about forbidding mining of gold and silver. Thus, the gold-gilded Buddha
contained much amount of copper components and presented reddish golden
color. Under the influence of environmental effects over three hundred years,
the gilded gold showed rust marks in blue and green colors. Owing to aged
time, the rusts penetrated into the inner directly and firmly. |
( Magnification of Buddha face) (Magnification
of intaglio mark on Buddha foot) |
|
2. ST-06028 Gold-gilded
jade with design of sitting Buddha No. 3, Between late Ming dynasty (1368-1644)
and early Qing dynasty (1644-1911), Bluish white nephrite from Hotan. Length: (Enclosed
certificate of FTIR scanning) |
The solemn sitting Buddha was completely gilded with gold and was
made of Bluish white jade from Hotan in top quality. It had been identified
by FTIR scanning. Bluish white jade presented white color in bluish, greenish, or
grayish shade. This distinct Buddha performed clean quality, delicate
mildness, and crystalline translucency. The hair was worn in an upward bud
surrounded by a holy crown. The ear was worn with floral earrings. The hands
were bore with Chuan (bracelet). The long dress showed smooth gather and soft
lines. The elegant Buddha was manufactured delicately. A white mole called “Baihao” placed in the
middle of forehead. The august and smooth-skinned Buddha possessed six arms.
The top arms held brush pen on the left and Buddhist canon on the right hand.
The middle arms held round pearl on the left hand and the right hand made mudra,
Buddhist gesture. The lower arms held fruit on the left hand and Buddhist
seal of swastika on the right hand. (Picture on right grid as reference) The sitting Buddha crossed the legs in meditation
position. The stand on the back was carved with intaglio line in flame shape.
The Buddha was sitting on lotus base which was on the top of H-shaped pedestal
with four animal feet. |
( Magnification of Buddha face) (Magnification of intaglio
line at philtrum) |
|
3.
ST-06032 Gold-gilded jade with design of sitting Buddha No. 6, Between
late Ming dynasty (1368-1644) and early Qing dynasty (1644-1911), Bluish white
nephrite from Hotan. Length: (Enclosed
certificate of FTIR scanning) |
This Buddha crossed the legs in meditation
position on lotus base. The sitting position is commonly seen among all Buddha
status. The Buddha was gilded with gold and applied bluish white jade from
Hotan in best quality. It had been identified by FTIR scanning. The whole
image presented splendid and majestic expression. The Buddha possessed four arms. Three
hands faced upward and held bowls individually. Only the right hand in the
front posed mudra, the Buddhist gesture. The dignified and holy face showed gracile eyes, curved
eyebrows, cubic nose, plump cheeks, and smiling lips. The Buddha wore ribbon and dress. The head covered with
shipshape crown in shape of lotus petals. Partial gilded gold had come off.
The stand on the back of Buddha was shaped as a flame. The H-shaped pedestal
with four animal feet supported the Buddha on lotus base and performed chaste
style in good taste. |
(Magnification of Buddha face)
|
|
4. ST-06044 Gold-gilded jade
with design of Buddha No. 18, Between late Ming dynasty (1368-1644) and early
Qing dynasty (1644-1911), Lanolin white nephrite from Hotan. Length: 24cm Width: 22 cm Height: 86 cm Hardness:6.5 (Enclosed
certificate of FTIR scanning) |
This gold-gilded jade with design of Buddha adopted lanolin white
jade from Hotan and was gilded with gold after carving. The jade presented
moist mildness, tender translucency, milky whiteness as lanolin. It had been identified
by FTIR scanning. This precious treasure vividly demonstrated a holy and
grand Buddha. The milky whiteness performed exquisite quality and sleek
mildness. The gentle white jade from Hotan is the most precious breed of all
and is regarded as king of all nephrite. It is highly valued due to scarce
production merely in Hotan area in Xingjian province. Holy
crown was placed on the head that was worn with a tower-shaped bud. Besides, there
were features of demure face, chubby cheeks, Baihao (white mole) in the
middle of forehead, curved eyebrows, downcast eyes, cubic nose, and plump
lips. The smiling face showed modest and peaceful expression. Six hands were worn with chuan (bracelet)
individually. Five of them posed mudra, the Buddhist gesture. Only left hand
in the middle held a pearl. The dress was in natural grace and the gather
lapped vividly. The Buddha was standing on lotus base in front of a back
stand with flame-shaped intaglio lines. Under the lotus base, there was a H-shaped
pedestal with four animal feet. Each object was carved separately before
assembling together. It included the Buddha, back stand, lotus base, H
pedestal, and animal feet. |
(Magnification of Buddha face) (Magnification of intaglio line at canthus) (Magnification of aureola) |
|
5. ST-06046 Gold-gilded jade with design of Buddha No. 20, Between late Ming
dynasty (1368-1644) and early Qing dynasty (1644-1911), Bluish white nephrite
from Hotan. Length: 24cm Width: 22 cm Height: 86 cm Hardness:6.5 (Enclosed certificate of FTIR scanning) |
The Buddha
was fully gilded with gold over the material of bluish white jade from Hotan
in good quality. It had been identified by FTIR scanning. Bluish
white jade present white color in bluish, greenish, or grayish shade. This
rare Buddha performed clear quality and moist sleekness. Chuan (Bracelet) appeared in the six hands of Buddha that
held pearl, seal of swastika, or posed mudra gesture. The head carried a
crown and tower-shaped bun. There were long hairs on the temples till the
shoulder and earrings. Dress with ribbon around shoulder was in grace and
vividness. Matronly face with Baihao (white mole) in the middle of forehead
had traits of curved eyebrow, upward canthus, and plump lip. The Buddha
presented mellifluence and saintliness. The Buddha was standing on lotus base with bared feet.
Beneath the lotus base, there was a H-shaped pedestal with four animal feet. Behind the
Buddha, there was an aureola stand with flame-shaped intaglio lines. It symbolized
the glory of Buddha illuminated all things in the world. The Buddha also expressed
promising and magnificent manner with a charitable heart. |
(Magnification of Buddha face) (Magnification of intaglio line of
swastika) |
|
6. ST-06038 Gold-gilded jade with design of sitting Buddha
No. 12, Between late Ming dynasty (1368-1644) and early Qing dynasty
(1644-1911), Lanolin white nephrite from Hotan. Length: 24cm Width: 22 cm Height: 86 cm Hardness:6.5 (Enclosed certificate of FTIR scanning) |
Lanolin
white jade from Hotan was the material of this sitting Buddha that was gilded
with gold after carving. Mild and clear jade showed tender exquisiteness and
milky whiteness as lanolin. The holy and modest Buddha was a rare treasure
and had been identified by FTIR scanning. Creamy
whiteness performed delicate quality and moist brightness. The white jade
from Hotan is the most rare breed among all and regarded as king of all
nephrite. Its great value enhanced on account of scarce production only in
Hotan area in Xinjian province. The sitting Buddha wore a crown as lotus
petals and tower-shaped bun on the head. The right hand made mudra gesture
and the left hand held a pearl. Both hands wore Chuan (bracelet)
individually. The peaceful and smiling Buddha had features of Baihao (white
mole) in the middle of forehead, curved eyebrows, downcast eyes, cubic nose,
and plump lips. The image showed holiness and lambency. The Buddha wore a dress, Buddhist necklace
(Yingluo), and long ribbon around shoulder. Besides, the Buddha crossed the
legs in meditation position on the lotus base. On the back, there was an aureola
stand with incision of flame. Beneath the lotus base, there was a H-shaped pedestal
with four animal feet. The components of Buddha, aureola stand, lotus base, pedestal,
animal feet were made separately before composing together. |
(Magnification of Buddha face) (Magnification of intaglio
line of fingernail) |
Reference:
1. Jin Shen. “Chapter 4: Buddhist mudra, sitting
posture, clothing, stand, and others”, Art class of Tibetan Buddhism,
2. Liu, Wan-Hang. “Ancient methods of gilding gold”, The National Palace Museum Monthly
of Chinese Art No.5, Vol. 4, Issue 5.
3. Liu, qi-wen Understand Industrial
Craftsmanship of Ancient China.
4. Chen,
Hui-xia. “Buddhist Image of
5. Liu, Yu-shan. Chinese Art- Carving,
6.
7. Kiyokawa Shinzou. Modern
Gemology, Xinzhuang city: Jing-shi-zi-ji, Feb. 2000, 124-125.
8. Ge, Wan-zhang. “Illustration
of Tibetan deities –Bodhisattva I”, The National Palace Museum Monthly of Chinese Art No.42,
Vol. 4, Issue 6.
9. Yang, Bo-da. Corpus of Chinese Jade Ware,
part III - Disquisition on Corpus of Chinese Jade Ware,
10. Editorial Committee of
11. Zhao, Er-Xun et al. History
of Qing Dynasty 6-Election, Office, Loan, Waterways., vol. 106-129,